Mise-en-Place & Lighting

There are specific staged environments and modes of lighting I use for shooting artefacts, objects, based on the intended composition, detail, clarity and depth; however, most of the Mise-en-Place are intended for either one of two objectives; academic and scientific purposes or artistic purposes. Rarely, both are required, but, it can be achieved. In that instance, lighting becomes the most significant factor in the scenography of artefact and object shooting. Differences between various modes of optics and lighting is the conundrum in photography, but the performative value of such small distinctions produce great differences over the final images.

Scenography

Mise-en-Place for Macro Shots. School of Archaeology, Oxford, UK.

iPhone 7, Lens 4mm © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-en-Place for Close Up & Macro Shots. Ashmolean Museum.

iPhone 7, Lens 4mm © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-En-Place for Static Portraits, School of Archaeology, Oxford, UK.

Nikon D7100, 18-105mm © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-en-Place for Close Up Shot. Fitzwilliam Museum, UK.

iPhone 7, Lens 4mm © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-en-Place for Horizontal Medium & Close Up Shot. Oxford, UK.

Nikon D7200 © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-en-Place for Close Up & Macro Shot. British Museum.

iPhone 7, Lens 4mm © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-en-Place for Epigraphic Assets. Oxford, UK.

iPhone 7, Lens 4mm © Kerim Alyot 1996-2024. All Rights Reserved.

Mise-en-Place for Macro Shots. Ashmolean Museum.

iPhone 7, Lens 4mm © Kerim Alyot 1996-2024. All Rights Reserved.